Igor Severyanin
Igor Severyanin (Russian: И́горь Северя́нин; pen name, real name Igor Vasilyevich Lotaryov: И́горь Васи́льевич Лотарёв; May 16, 1887 – December 20, 1941) was a Russian poet who presided over the circle of the so-called Ego-Futurists.
Igor was born in St. Petersburg in the family of an army engineer. Through his mother, he was remotely related to Nikolai Karamzin and Afanasy Fet. In 1904 he left for Harbin with his father but later returned to St. Petersburg to publish first poems at his own expense. It was not until 1913 that, in the words of D.S. Mirsky, "the moment came when vulgarity claimed a place on Parnassus and issued its declaration of rights in the verse of Igor Severyanin". That year, Severyanin (his pen name means "Northerner" in Russian) brought out a collection entitled The Cup of Thunder (Громокипящий кубок), with a preface written by Fyodor Sologub.
In one of his most celebrated poems, Lotaryov introduced himself to the readers with the following words: "I am Igor Severyanin, a genius!" He soon gained a cult following, especially in the provinces of Imperial Russia. The poet "captured the popular imagination and reached stardom with his slick pomaded hair parted in the middle; his melancholy, darkly circled eyes; his impeccable tails; and an ever-present lily in his hands".[1]
Severyanin's poems treated such extraordinary themes as "ice cream of lilacs" and "pineapples in champagne", intending to overwhelm the bourgeois audience with a riot of colors and glamour associated by them with high society. In his verse, Severyanin admired dirigibles and automobiles, everything that could convey to his followers the notion of modernity. He would often shock the public by professing his admiration for Oscar Wilde or scandalize his emulators with cynical statements and megalomania. During one party, they declared Severyanin "the king of poets", although some respected critics professed their distaste for his work.
After the Russian Revolution of 1917, Severyanin was one of the first poets to leave Russia. Having settled in Estonia in 1918, he tried to return to Russia afterwards, but could not for various reasons (namely, the civil war, his marriage to a local woman (Felissa Kruut), unreceptive literary climate in Soviet Russia, etc.). After the Soviet occupation of Estonia, 1940 Severyanin continued literary activities, and later died of a heart attack in the German occupied Tallinn in 1941. He was buried in Alexander Nevsky cemetery, Tallinn.
References
- ^ Anna Lawton, Herbert Eagle. Words in Revolution: Russian Futurist Manifestoes 1912–1928. New Academia Publishing, 2005. ISBN 0-9744934-7-3. Page 22.
External links
- English translations of 4 early poems
- English translations of 3 poems by Babette Deutsch and Avrahm Yarmolinsky, 1921
- English translation of "Lady's Club," 1912
- Works by Igor Severyanin at LibriVox (public domain audiobooks)
- v
- t
- e
- Giacomo Balla (list of works)
- "Barbara"
- Umberto Boccioni
- Anton Bragaglia
- Benedetta Cappa
- Carlo Carrà
- Franco Casavola
- Nikolay Diulgheroff
- Luigi De Giudici
- F. T. Marinetti
- Marisa Mori
- Bruno Munari
- Aldo Palazzeschi
- Ugo Piatti
- Francesco Balilla Pratella
- Antonio Russolo
- Luigi Russolo
- Antonio Sant'Elia
- Gino Severini
- Ardengo Soffici
Cubo-Futurists
- Alexander Archipenko
- Nikolai Aseev
- Vladimir Baranoff-Rossine
- Lilya Brik
- Osip Brik
- Alexander Bogomazov
- Kseniya Boguslavskaya
- David Burliuk
- Vladimir Burliuk
- Joseph Chaikov
- Aleksandra Ekster
- Nina Genke-Meller
- Natalia Goncharova
- Elena Guro
- Vasily Kamensky
- Velimir Khlebnikov
- Ivan Kliun
- Aleksei Kruchyonykh
- Nikolai Kulbin
- Mikhail Larionov
- Aristarkh Lentulov
- El Lissitzky
- Benedikt Livshits
- Kazimir Malevich
- Mikhail Matyushin
- Vladimir Mayakovsky
- Boris Pasternak
- Victor Palmov
- Lyubov Popova
- Ivan Puni
- Olga Rozanova
- Vadim Shershenevich
- Nadezhda Udaltsova
- Ilia Zdanevich (Iliazd)
and inventions
- Anti-neutral suit
- Intonarumori
- Italian futurism in cinema
- Futurist architecture
- Futurist cooking
- Futurist literature
- Futurist music
- Noise music
- Zaum
- Abstract Speed + Sound
- Antigrazioso
- The Art of Noises
- BÏF§ZF+18
- The City Rises
- Cyclist
- Development of a Bottle in Space
- Drama in the Futurists' Cabaret No. 13
- Dyr bul shchyl
- Dynamism of a Car
- Dynamism of a Cyclist
- Dynamism of a Dog on a Leash
- Dynamism of a Human Body: Boxer
- Dynamism of a Soccer Player
- Dynamism of a Speeding Horse + Houses
- Futurist Painting: Technical Manifesto
- The Knifegrinder
- Girl Running on a Balcony
- The Hand of the Violinist
- Lacerba
- Manifesto of Futurism
- Manifesto of Futurist Musicians
- Mercury Passing Before the Sun
- The Poem of the End
- Poesia
- The Street Enters the House
- The Street Light
- Thaïs
- Tango with Cows
- Unique Forms of Continuity in Space
- Universal War
- Victory over the Sun
- Vladimir Mayakovsky
- Zangezi
- Zang Tumb Tumb
- Agitprop
- Agit-train
- Constructivism
- Dadaism
- Donkey's Tail
- Grosvenor School
- Jack of Diamonds
- Neo-Primitivism
- Oberiu
- Panfuturism
- Precisionism
- Rayonism
- Soyuz Molodyozhi
- Suprematism
- Supremus
- Vorticism