Creole Love Call
1927 song by Duke Ellington
"Creole Love Call" | |
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Song by Duke Ellington | |
Released | 1927 |
Genre | jazz standard |
Composer(s) | Duke Ellington |
"Creole Love Call" is a 1927 jazz standard by Duke Ellington, Bubber Miley and Rudy Jackson.[1] The song is associated with vocalist Adelaide Hall.[2][3] The song entered the Billboard USA song charts in 1928 at No. 19.[4]
In 1988, during a radio interview with the journalist and radio host Max Jones, Hall explained how she came up with the counter-melody in "Creole Love Call". An excerpt from the interview can be heard in the British Library article (published 17 December 2020) on the British Library blog titled Oral History of Jazz in Britain.
See also
Notes
- ^ Williams, Iain Cameron (2002). Underneath A Harlem Moon ISBN 0-8264-5893-9 Chapter 8
- ^ Williams, Iain Cameron (2002). Underneath A Harlem Moon ISBN 0-8264-5893-9
- ^ Voce, Steve (8 November 1993). "Obituary: Adelaide Hall". The Independent. Retrieved 24 January 2013.
- ^ USA song chart entry for "Creole Love Call" (1928). The song is #29 in the list of Ellington chart entries with information that it entered the Billboard charts at #19 in 1928.
References
- A. H. Lawrence, Duke Ellington and His World (London: Routledge, 2001), p. 112. ISBN 978-0-415-93012-3.
- Williams, Iain Cameron, Underneath A Harlem Moon ... the Harlem to Paris Years of Adelaide Hall, Chapter 8. ISBN 0826458939.
External links
- "Creole Love Call" at jazzstandards.com
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Duke Ellington
Discography
- Harlem Jazz, 1930
- Ellingtonia, Vol. One
- Ellingtonia, Vol. Two
- Braggin' in Brass: The Immortal 1938 Year
- The Blanton–Webster Band
- Never No Lament: The Blanton-Webster Band
- Smoke Rings
- Liberian Suite
- Great Times!
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- The Duke Plays Ellington
- Ellington '55
- Dance to the Duke!
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- Historically Speaking
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- A Drum Is a Woman
- Studio Sessions, Chicago 1956
- Such Sweet Thunder
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- Unknown Session
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- Afro-Bossa
- The Symphonic Ellington
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- My People
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- Ellington '66
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- The Popular Duke Ellington
- Far East Suite
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- Second Sacred Concert
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- Latin American Suite
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- Orchestral Works
- The Suites, New York 1968 & 1970
- The Intimacy of the Blues
- The Afro-Eurasian Eclipse
- Studio Sessions New York & Chicago, 1965, 1966 & 1971
- The Intimate Ellington
- The Ellington Suites
- This One's for Blanton!
- Up in Duke's Workshop
- Duke's Big 4
- Mood Ellington
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- Black, Brown, and Beige
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- The Carnegie Hall Concerts: December 1944
- The Carnegie Hall Concerts: January 1946
- The Carnegie Hall Concerts: December 1947
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- Dance Concerts, California 1958
- Dance Dates, California 1958
- Newport 1958
- Jazz at the Plaza Vol. II
- Duke Ellington at the Alhambra
- Live at the Blue Note
- Hot Summer Dance
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- A Concert of Sacred Music
- In the Uncommon Market
- Soul Call
- Yale Concert
- 70th Birthday Concert
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- Live at the Whitney
- Third Sacred Concert
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- Ella at Duke's Place
- The Stockholm Concert, 1966
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- It Don't Mean a Thing If It Ain't Got That Swing
- "African Flower"
- "All Too Soon"
- "Azure"
- "Black and Tan Fantasy"
- "Black, Brown and Beige"
- "C Jam Blues"
- "Come Sunday"
- "Cotton Tail"
- "Creole Love Call"
- "Day Dream"
- "Diminuendo and Crescendo in Blue"
- "Do Nothing Till You Hear from Me"
- "Don't Get Around Much Anymore"
- "Drop Me Off in Harlem"
- "East St. Louis Toodle-Oo"
- "Echoes of Harlem"
- "Everything but You"
- "I Ain't Got Nothin' but the Blues"
- "I Didn't Know About You"
- "I Got It Bad (and That Ain't Good)"
- "I Let a Song Go Out of My Heart"
- "I'm Beginning to See the Light"
- "I'm Just a Lucky So-and-So"
- "In a Mellow Tone"
- "In a Sentimental Mood"
- "It Don't Mean a Thing (If It Ain't Got That Swing)"
- "Just A-Sittin' and A-Rockin'"
- "Just Squeeze Me (But Please Don't Tease Me)"
- "The Mooche"
- "Mood Indigo"
- " Prelude to a Kiss"
- "Rocks in My Bed"
- "(In My) Solitude"
- "Sophisticated Lady"
- Queenie Pie (unfinished opera)
by Billy Strayhorn |
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by Juan Tizol |
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members
- Hayes Alvis
- Cat Anderson
- Ivie Anderson
- Harold Ashby
- Alice Babs
- Shorty Baker
- Butch Ballard
- Art Baron
- Aaron Bell
- Louie Bellson
- Joe Benjamin
- Barney Bigard
- Lou Blackburn
- Jimmy Blanton
- Wellman Braud
- Lawrence Brown
- Harry Carney
- Johnny Coles
- Willie Cook
- Buster Cooper
- Kay Davis
- Wild Bill Davis
- Wilbur de Paris
- Bobby Durham
- Mercer Ellington
- Rolf Ericson
- Jimmy Forrest
- Victor Gaskin
- Peter Giger
- Tyree Glenn
- Paul Gonsalves
- Sonny Greer
- Fred Guy
- Jimmy Hamilton
- Otto Hardwick
- Shelton Hemphill
- Rick Henderson
- Al Hibbler
- Johnny Hodges
- Major Holley
- Charlie Irvis
- Quentin Jackson
- Hilton Jefferson
- Herb Jeffries
- Freddie Jenkins
- Money Johnson
- Herbie Jones
- Wallace Jones
- Taft Jordan
- Al Killian
- Queen Esther Marrow
- Wendell Marshall
- Murray McEachern
- Louis Metcalf
- James "Bubber" Miley
- Harold "Geezil" Minerve
- Ray Nance
- Tricky Sam Nanton
- Oscar Pettiford
- Eddie Preston
- Russell Procope
- Junior Raglin
- Betty Roché
- Ernie Royal
- Al Sears
- Joya Sherrill
- Willie Smith
- Elmer Snowden
- Rex Stewart
- Billy Strayhorn
- Billy Taylor
- Clark Terry
- Juan Tizol
- Norris Turney
- Ben Webster
- Arthur Whetsel
- Cootie Williams
- Nelson Williams
- Skippy Williams
- Booty Wood
- Jimmy Woode
- Britt Woodman
- Sam Woodyard
This article about a jazz standard or composition written in the 1920s is a stub. You can help Wikipedia by expanding it. |
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